Bonus - Introducing "The Rabbis Go South"
The Lonely Palette

Bonus - Introducing "The Rabbis Go South"

B2Upper-intermediateNovember 1, 202423 min

Tamar is alive! The Lonely Palette is alive! But in the year since we last spoke, she's been elbow-deep in audio projects galore - good for the pocketbook, but bad for independent art history podcast productivity. But your patience will be rewarded! And in the meantime, a few announcements: - Join me and my fellow H&S colleagues at the PRX Podcast Garage in Allson, MA on Wednesday, November 6 for an evening of audio camaraderie. Register here. - Explore our Hub & Spoke Expo showcase, starting with the first episode of our very first exclusive Expo...

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Sentence 5 of 12 · 0:26

audio producer. Since last summer I've been producing both parent data with Emily

.

I produced the closing episode of PRX's award-winning series on American Monuments and Memorials called Monumental.

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B2

B2 · Upper-intermediate

Comfortable if you already follow TV news

A1 32%A2 43%B1 19%B2 6%C1 0%
  • 94% of the words are B1 or easier.
  • 131 words a minute: a natural pace.
  • 104 harder words (B2 and up) in the whole episode.

Transcript

The opening of the episode. The whole transcript is in the player.

0:00

Oh hi everyone. It's Tamar. I am still alive. But yeah, it's perfectly fair to ask. You know, Tamar, where the f*** have you been? It's actually a happy story. And I have largely the lonely palate to thank. I've been a working audio producer. Since last summer I've been producing both parent data with Emily

0:26

and a limited series that she's been doing called Raising Parents. I produced the closing episode of PRX's award-winning series on American Monuments and Memorials called Monumental. I produced a series on AI for NYU. I've been a consultant, and through it all, I continue to produce Two Little Boys. So, in the midst of all of this, I have two announcements.

0:50

The first is that the Lonely Palette is not going anywhere. It is alive. I'm writing, I am creating, I'm interviewing. I'm working on a series with the National Gallery

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