FlexiLingo
For many shoppers, fashion is now experienced primarily through a screen — discovered on social media, watched on runway livestreams and purchased from a product photo. Fashion critic Eugene Rabkin argues in his new book that this shift has left the industry prioritising a garment's image over the garment itself, hollowing out creativity and quality along the way. At the same time, as AI generated imagery floods the feed, a counter-movement is emerging: luxury brands are commissioning painters and illustrators, hosting phone-free dinners and building hands-on experiences designed to pull customers back into the physical world. In th...
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B2 · 中高级
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most popular BOF professional stories with the correspondents who created them.
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这一集适合你吗？
B2 · 中高级
能看懂电视新闻就会觉得轻松
- 75% 的单词在 B1 或更简单的水平。
- 每分钟 182 词：自然语速，偏快。
- 整集共有 89 个较难的单词（B2 及以上）。
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较难的单词（B2+）
Hello and welcome to The Debris from the Business of Fashion where each week we delve into our most popular BOF professional stories with the correspondents who created them. I'm Senior Correspondent Sheena Butler Young. For many of us, our first encounter with fashion happens on a screen.
We discover clothes through social media, watch runway shows on our phones, and decide what to buy from pictures online. But how has that changed the clothes themselves and what we value about them?
That's a question my colleague Mark Bain explored recently with fashion critic Eugene Rapkin, who believes that the industry has sacrificed creativity and quality in favor of image and hype.
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