Art, Outrage and How the Culture Wars Began

In April 1989, a newspaper clipping about an art exhibit landed in the mailbox of the Rev. Donald Wildmon, the founder of a conservative evangelical group, the American Family Association. Partly funded by the National Endowment for the Arts, the exhibit included a now-infamous photograph by Andres Serrano that showed a crucifix submerged in Serrano’s own urine. Incensed, Wildmon sent a copy of the photo to every member of Congress, setting off a battle led by the Christian right over what contemporary art could be and who should receive federal funding for it. Isaac Butler, an...